Andrew Wannigman serves as the baritone soloist for Ralph Vaughan Williams’s Dona Nobis Pacem and Joseph Haydn’s Lord Nelson Mass with the Queens College Choral Society and Orchestra. James John conducts.
Andrew Wannigman performs the role of Silvio in Pagliacci with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
Andrew Wannigman performs the role of Silvio in Pagliacci with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
Andrew Wannigman performs the role of Silvio in Pagliacci with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
Andrew Wannigman performs the role of Silvio in Pagliacci with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
A concert celebrating the artistry of Ira and George Gerschwin.
Enjoy the enduring artistry of the beloved Gershwins with selections from such popular musicals as Shall We Dance, Lady Be Good, Nice Work If You Can Get It, Funny Face, An American in Paris, Girl Crazy, Porgy and Bess, and more!
featuring
AUDREY DU BOIS HARRIS, soprano
EMA MITROVIC, mezzo-soprano
GIWOOUNG KIM, tenor
ANDREW WANNIGMAN, baritone
JUSTIN McARTHUR, tenor
BRIAN HOLMAN, pianist
Andrew Wannigman makes his role debut as Alfio in Cavalleria Rusticana with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
Andrew Wannigman makes his role debut as Alfio in Cavalleria Rusticana with Regina Opera. Conducted by Scott Jackson Wiley. Directed by Sabrina Palladino.
Andrew makes his role debut as Dr. Falke in Die Fledermaus by Johann Strauss with New Rochelle Opera. Brian Holman conducts. Founder/artistic director Camille Coppola directs.
Andrew sings as the Bass Soloist for W.A. Mozart’s Vesperae solennes de confessore with the Forest Hills Choir under the direction of Dr. Todd Wachsman.
Andrew performs and brings to life Paola Prestini’s new opera Sensorium Ex with the libretto by Brenda Shaughnessy in a workshop reading.
SENSORIUM is a multi-modal arts project exploring fundamental questions of what it means to have voice. The project is centered around the opera, Sensorium Ex – a multi-sensory narrative woven together at the intersections of disability and artificial intelligence. Sensorium is committed to developing new methods for collaboration and impact between the arts, sciences, and the lived experiences of individuals and communities.
Andrew performs as the baritone soloist in Brahms’ Ein deutsches Requiem with the Queens College Choral Society under the direction of Dr. James John.
Andrew makes his Carnegie Hall debut with the Cecilia Chorus of New York and Orchestra under Maestro Mark Shapiro as the bass soloist in a concert that includes Dixit Dominus by Marianna von Martines, Dixit Dominus by W.A. Mozart,Three Village Scenes by Béla Bartók and the World Premiere of Neither Separated, Nor Undone by Derrick Skye.
A concert commemorating the heroism of Chiune Sugihara, Japanese Vice-Consul to Lithuania, who saved thousands of Jewish refugees during WWII. The performance will feature the American Premiere of Lera Auerbach's Symphony No. 6, Vessels of Light, dedicated to Sugihara and all those who risk everything to save others. This symphony was commissioned by Yad Vashem, The World Holocaust Remembrance Center in Jerusalem, along with the American Society for Yad Vashem, and was catalyzed by cellist Kristina Reiko Cooper.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew Wannigman performs the role of Calm within the Hiddenfolk Ensemble in Iceland at La Mama Experimental Theatre Club.
A contemporary love story that plays with the ancient mythology of the country itself, ICELAND begins with a seemingly chance encounter between Vala, a disillusioned architect in search of answers, and Mundi, a dispirited wilderness guide mentally scarred by a climbing accident some years before. The heroine and hero embark on separate journeys across the physical and emotional terrain of a glacier, which catapults them into the realm of The Hiddenfolk and the Mythic Beasts. Through Vala and Mundi’s opposing trajectories and eventual union, ICELAND explores – using movement, music, and design – how longing, courage, and the transcendent power of love create a vibrant relationship between the intimacy of human life and the vast dynamic life of the earth.The piece features an ensemble cast of 14 and an 11-piece chamber orchestra. Jones’ music scores the Hidden World, home to the Huldufólk or Hiddenfolk, beings who live in a parallel world to humans. Tinley’s songs – based in a singer-songwriter folk tradition – give voice to Vala and Mundi’s human desires. The two composers’ styles weave together to create a rich texture in which the Human and the Hidden coexist.
Andrew performs the role of Dandini in La Cenerentola with SAS Performing Arts.
Everyone is familiar with the story of Cinderella, immortalized by the French author Charles Perrault. Yet this is not quite the story of the Rossini version of Cinderella. There are the wicked stepsisters, there is a wicked Stepfather and instead of a fairy godmother Rossini gives us a mysterious man who seems to have magical powers. The voices sparkle, flow forth and mingle in arias and ensembles punctuated with clever puns and witticisms: this is Rossini’s musical comedy at its finest which he wrote when he was only 24 in just three weeks. There is certainly some magic in that!
Andrew will be making his anticipated debut in the titular role of Don Giovanni.
The Madison Theatre and Long Island Lyric Opera present Mozart’s Don Giovanni! With director Adrienne Boris and musical direction by Adam Glaser, the outrageous comedy tells the tale of an incorrigible young playboy who blazes a path to his own destruction in a single day. Based on the story of Don Juan, Don Giovanni follows an irresistible (yet irresponsible and amoral) youth who is loved by women almost as universally as he loves them. It doesn’t take long before the audience sees that even Don Giovanni cannot escape the consequences of his flouting of conventional morality.
Andrew will be making his anticipated debut in the titular role of Don Giovanni.
The Madison Theatre and Long Island Lyric Opera present Mozart’s Don Giovanni! With director Adrienne Boris and musical direction by Adam Glaser, the outrageous comedy tells the tale of an incorrigible young playboy who blazes a path to his own destruction in a single day. Based on the story of Don Juan, Don Giovanni follows an irresistible (yet irresponsible and amoral) youth who is loved by women almost as universally as he loves them. It doesn’t take long before the audience sees that even Don Giovanni cannot escape the consequences of his flouting of conventional morality.
Andrew performs as a baritone soloist in a musical revue of Broadway’s Golden Age of Musical Theatre.
Not only does this performance feature timeless tunes that have shaped our lives, but it also explores the significant themes of social justice present in productions of that time. This musical showcase digs deep, offering audiences a parade of Broadway hits while giving the performers an opportunity to explore the songs from their own styles and unique perspectives. Come celebrate the beautiful songs and lyrics that forever changed musical theatre: Carousel, The King and I, Camelot, The Sound of Music, West Side Story, My Fair Lady and many, many more.
Andrew performs the role of Ed Wall in the Southern Premiere of Frances Pollock’s Stinney: An American Execution. This opera tells the tragic story of George Stinney, Jr., who is known as the youngest executed person in American history. At just 14 years of age and 90 pounds, the young black boy was wrongfully convicted of rape and murder of two white girls in Alcolu, South Carolina and sentenced to death by electrocution.
Andrew performs as a baritone soloist in a musical revue of Broadway’s Golden Age of Musical Theatre.
Not only does this performance feature timeless tunes that have shaped our lives, but it also explores the significant themes of social justice present in productions of that time. This musical showcase digs deep, offering audiences a parade of Broadway hits while giving the performers an opportunity to explore the songs from their own styles and unique perspectives. Come celebrate the beautiful songs and lyrics that forever changed musical theatre: Carousel, The King and I, Camelot, The Sound of Music, West Side Story, My Fair Lady and many, many more.
Andrew performs as a baritone soloist in a musical revue of Broadway’s Golden Age of Musical Theatre.
Not only does this performance feature timeless tunes that have shaped our lives, but it also explores the significant themes of social justice present in productions of that time. This musical showcase digs deep, offering audiences a parade of Broadway hits while giving the performers an opportunity to explore the songs from their own styles and unique perspectives. Come celebrate the beautiful songs and lyrics that forever changed musical theatre: Carousel, The King and I, Camelot, The Sound of Music, West Side Story, My Fair Lady and many, many more.
Andrew performs the role of Ed Wall in the Southern Premiere of Frances Pollock’s Stinney: An American Execution. This opera tells the tragic story of George Stinney, Jr., who is known as the youngest executed person in American history. At just 14 years of age and 90 pounds, the young black boy was wrongfully convicted of rape and murder of two white girls in Alcolu, South Carolina and sentenced to death by electrocution.
Andrew performs the role of Ed Wall in the Southern Premiere of Frances Pollock’s Stinney: An American Execution. This opera tells the tragic story of George Stinney, Jr., who is known as the youngest executed person in American history. At just 14 years of age and 90 pounds, the young black boy was wrongfully convicted of rape and murder of two white girls in Alcolu, South Carolina and sentenced to death by electrocution.
Andrew performs the role of Ed Wall in the Southern Premiere of Frances Pollock’s Stinney: An American Execution. This opera tells the tragic story of George Stinney, Jr., who is known as the youngest executed person in American history. At just 14 years of age and 90 pounds, the young black boy was wrongfully convicted of rape and murder of two white girls in Alcolu, South Carolina and sentenced to death by electrocution.
Andrew performs as the baritone soloist for R. Nathaniel Dett’s The Ordering of Moses alongside Christian Mark Gibbs, Lucia Bradford and Deborah Love under the baton of Dr. James John and the Queens College Choral Society and Orchestra.
Andrew will be joining the students of Queens College to sing Danilo in the acclaimed production of The Merry Widow directed by Dottie Danner. Conducted by Mark Powell.
Andrew will be joining the students of Queens College to sing Danilo in the acclaimed production of The Merry Widow directed by Dottie Danner. Conducted by Mark Powell.
Andrew will be joining the students of Queens College to sing Danilo in the acclaimed production of The Merry Widow directed by Dottie Danner. Conducted by Mark Powell.
